Monday, 13 July 2015

In Harper Lee's newly released novel "Go Set A Watchman", Atticus Finch is shown to be a bigot!! An idol has fallen!!

In the Economic Times, dt. 13 July 2015 page 15
 imggallery
Amid Shock, Readers Also Find Reality in Bigoted Atticus Finch


Harper Lee's Go Set a Watchman Gives Crusading lawyer of To Kill a Mockingbird a Dark Side
With all the debate brewing over the origins of Harper Lee's novel Go Set a Watchman, the biggest bombshell turned out to be an explosive character revelation that no one saw coming.
Atticus Finch, the crusading lawyer of To Kill a Mockingbird, whose principled fight against racism and inequality inspired generations of readers, is depicted in Watchman as an aging racist who once attended a Ku Klux Klan meeting, holds negative views about African-Americans and denounces desegregation efforts.
“Do you want Negroes by the carload in our schools and churches and theatres? Do you want them in our world?“ Atticus asks his grown daughter, Jean Louise, in Watchman. The stunning revelation will probably alter readers' view of Lee's cherished first novel and could reshape her legacy , which until now has hinged entirely on the outsize success of her 1960 novel Mockingbird, a beloved book that has sold more than 40 million copies globally and occupies a unique place in our literary culture.

It is also certain to spur debate about the character of Atticus, and his moral integrity in Mockingbird -a staple of high school curriculums around the country -that made him a cultural icon whose influence transcended literature, inspiring generations of lawyers, teachers and social workers.

“Whether you've read the novel or seen the film, there's this image you have of Atticus as a hero, and this brings him down a peg,“ said Adam Bergstein, a teacher in New York who teaches Mockingbird to 10th graders.“How do you take this guy who everybody looked up to for the last 50-plus years, and now he's a more flawed individual?“ The new version of Atticus, 72, suffering from arthritis and stubbornly resistant to social change, stands in sharp contrast to the gentle scholar in Mockingbird, who tells Scout (Jean Louise), when explaining why he has gone out on a limb to defend a black man, that “I do my best to love everybody“

In Watchman, which comes out on Tuesday , Atticus chides Scout for her idealistic views about racial equality: “The Negroes down here are still in their childhood as a people.“

The revelation comes at a moment when issues of racism, inequality and the persecution of minorities in the United States are again at the forefront of the news. Last week, the South Carolina Legislature voted to remove the Confederate battle flag from its State House grounds, after days of emotional debate. Protests have erupted around the country after police shootings of unarmed black men.

Watchman, which was completed in 1957, is landing in the middle of the debate, like a literary artifact out of a time capsule from a period when the country was divided over many of the same issues. “We could turn this into a plus in our national conversation about racism and the Confederate flag.It turns out that Atticus is no saint, as none of us are, but a man with prejudices,“ said Charles J Shields, author of Mockingbird: A Portrait of Harper Lee. Some writers and literary critics see added value in a more complex, and flawed, version of Atticus. If Mockingbird sugarcoats racial divisions by depicting a white man as the model for justice in an unjust world, then Watchman may be like bitter medicine that more accurately reflects the times.
“If Atticus Finch is not quite the plaster saint that he is in To Kill a Mockingbird, there could be something rich and fascinating about that,“ said Thomas Mallon, a novelist and critic, who had read only the published excerpt from Watchman. “The moral certainties in To Kill a Mockingbird are apparent from the first page, and in that sense, I don't think it's a great nov el that deals with the tormenting questions of race in America, but maybe this new one is, if it's more nuanced.“

It is unclear why Lee set aside Watchman -a blunt and unsparing ook at a young woman's disillusionment at the racism that permeates her hometown and her family -to write Mockingbird, a more palatable com ng-of-age tale. Narrated by a charming and observant child, Mockingbird features characters that fall neatly into camps of heroes and villains; Gregory Peck's portrayal of Atticus in the 1962 ilm is an enduring symbol of a righteous lawyer and model parent. Lee wrote the nov el in the mid-1950s, when, like Jean Louise, she was liv ing in New York and occasionally travelling home to Alabama to visit her aging father, the lawyer AC Lee, who is commonly cited as the model for Atticus in letters she wrote at Mockingbird. In letters she wrote at the time to a friend in New York, she describes feeling unmoored by his physical decline and impending death.

She also recounts feeling like an outsider in her hometown because of her stance on civil rights: “I don't trust myself to keep my mouth shut if I feel moved to express myself, thereon it will get out all over Monroeville that I am a member of the NAACP , which, God forbid. They already suspect this to be a fact anyway .“
While AC Lee was moderate by the standards of the times, he supported states' rights and held segregationist views, according to Shields. Later, after the publication of Mockingbird in 1960, his views softened, and he started campaigning for redistricting in the county to protect disenfranchised black voters, Shields said.

As the first reviews of the novel were published on Friday , some Mockingbird fans were so disheartened by the revelation that they said they were reluctant to read the new book. On Twitter, Jamie Harding, who lives in Alabama, likened learning out about Atticus' dark side to “finding out Santa Claus beats his reindeer.“ Lee's publisher, HarperCollins, said there was never a discussion of toning down Atticus' racist remarks to preserve his moral image. “Harper Lee wanted to have the novel published exactly as it was written, without editorial intervention,“ Jonathan Burnham, the publisher of the HarperCollins imprint Harper, wrote in an email message.“By confronting these challenging and complex issues at the height of the civil rights movement, the young Harper Lee demonstrated an honesty and bravery that makes this work both a powerful document of its time and a compelling piece of literature.“

Karla FC Holloway , a professor of English and law at Duke University , said the new version of Atticus may lead people to reread Mockingbird more closely . “It will force an interesting conversation about -if this is really Atticus -what have our own desires done to the character, and what is the literary truth?“ Holloway said.“This is who we want to be as a country , but this is not who Atticus was.“

Tuesday, 21 April 2015

A Mind Needs Books


Interaction with Salil Desai on 30th March '15 - reported by Shama Vijayan




The greatest sensation of achievement is in being the “first” in accomplishing an extraordinary feat. Salil Desai, Pune based author of crime novels in the English language, has achieved this incredible distinction in being the “first” Indian author who has succeeded in putting Pune on the “Crime Fiction Map.” 

So what is Salil Desai’s secret formula?  The participants at the Book Club discussion were highly intrigued and curious to know.  Their enthusiasm grew when Salil Desai appeared in person and there was  a barrage of questions that he had to face.  To a query on why he chose to write crime novels, he replied, “Crime happens all the time and everywhere in the world.  I did extensive research by reading, studying and visiting the workings of the Pune Police.  I discovered the policeman’s method of investigation could be very gory, tedious and exhausting and stifle the “plot”.  I have tried to avoid such pitfalls in my writing and  focus more on the absurd and  blundering  police procedures.”  This, he feels, adds humour to the plot and makes it more readable.  

Desai’s approach to crime is based on observation of everyday crimes. He applies his mind, inspiration and imagination to gather insights into criminal minds.  There is plenty of suspense and red herrings thrown in  to stimulate and distract the minds of the readers so that the criminal remains undetected to the end.

Salil Desi read excerpts from “Cul-De-Sac,”  one of his short stories in “ Lost Libido.” Deepak Morris and Chetan Shetty entertained everyone and amused the author  by narrating 2 of the stories in the collection, namely “Hunch On a Highway”  and “Who Strangled Sharma?”.

Desai’s latest release is the “Murder of Sonia Raikkonnen: an Inspector Saralkar Mystery.”

Reported by: Shama Vijayan

Monday, 20 April 2015

THE BOOK CLUB
will meet on
MONDAY 27th April 2015
at 6.15 pm
at the U S Library, Poona Club
to discuss

Room
by
Emma Donaghue

The story is from the perspective of a 5 year old boy
held captive in a small room along with his mother.
It is a truly memorable novel, one that can be read through myriad lenses:
psychological, sociological, political.

Mehvash Peerbhoy
 will lead the discussion.

Do come & bring other book lovers along.

Tuesday, 10 February 2015

Review of Atul Gawande's "Being Mortal: Medicine and What Matters in the End"

Do read this review:
http://www.nybooks.com/articles/archives/2015/jan/08/better-way-out/

And do come on Monday 2nd March for The Book Club meeting

The Book Club meeting postponed to Monday 2nd March 2015 at 6:15pm

Due to unforeseen circumstances, The Book Club meeting due on 23rd Feb 2015 is postponed to Monday 2nd March 2015 at 6:15pm..
Saaz Agarwal will lead the discussion on 02 March 2015 on
Atul Gawande's Being Mortal - Medicine and What Matters in the End.
Here's a review of this book from "The Guardian". Just click the url below:
http://www.theguardian.com/books/2014/nov/02/being-mortal-review-atul-gawande-death-palliative-care-alzheimers
Do make the change in your diaries. And do come..